Matt Taibbi on Noam Chomsky’s classic book Manufacturing Consent and how commercial imperatives still squelch an adversarial press.
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This article was produced in partnership with The New York Times. CHARLOTTESVILLE, Va. — High school seniors Zyahna Bryant and Trinity Hughes have been friends since they were 6 years old, raised by blue-collar families in this affluent college town.
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Chandler Fowles knew it wouldn’t be simple to move from Mystic, Conn., to New York City last year. But staying put held little appeal. Her degree in art history and fine arts from Eastern Connecticut State University wasn’t helping her land any job worth sticking around for.
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It’s no rumor: Lindsey Buckingham, former lead guitarist of Fleetwood Mac, is suing his former bandmates, declaring that cutting him out of their current tour deprived him of up to $14 million.
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ONE year ago Alyssa Milano, an American actress, posted on Twitter: “If you’ve been sexually harassed or assaulted write ‘me too’ as a reply to this tweet.” Within 24 hours she had received more than 500,000 responses using the hashtag “#MeToo”.
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It was a small imposition of authority by the NBA in the grand scheme of things, but a revealing one. Over the summer, J.R. Smith, the oft-shirtless Cleveland Cavaliers shooting guard, added a brand new tattoo to some of the few square inches of canvas available on his person.
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The platform has cast itself as the internet’s kindest place. But users argue harassment is rampant, and employees say efforts to stem it are under-resourced and deprioritized. When Brandon Farbstein first joined Instagram in 2014, he was 14 and optimistic.
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