Eight months before HBO’s Leaving Neverland documentary raised new questions about Michael Jackson’s legacy, executives at the late pop star’s record label and estate were pondering another unexpected — and unrelated — development involving his business.
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It’s stupid, but you can’t turn it off. There’s a backlash against this flick. From people who weren’t there the first time and wouldn’t be there if this era ever came back, even though it can’t.
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For an industry that has spun countless rags-to-riches tales over the past four decades, it’s hardly surprising that the rapper-penned memoir overshadows all other entries in the hall of fame for hip-hop books.
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Danielle A. Jackson | Longreads | March 2019 |7 minutes (1,794 words) In a photo dated September 1983, my father stands alone, 30ish, and relaxed, with arms akimbo and a slight belly bulge on a porch outside Superior Baths in Hot Springs, Arkansas.
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Leave it to Vice to re-purpose footage of a Parkland shooting victim to line their pockets with money from Big Tobacco.
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For those who have yet to avail themselves of Kanopy, a free streaming service (with a library card) that specializes in independent films and international cinema, here’s a quick and handy guide on how the service works and whether it’s worth it.
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Austin Spivey, a 24-year-old woman in Washington, has been looking for a relationship for years. She’s been on several dating apps — OkCupid, Coffee Meets Bagel, Hinge, Tinder, Bumble. She’s on a volleyball team, where she has a chance to meet people with similar interests in a casual setting.
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